Blog Post #2—Updates, Materials, Some General Information (2)

Whoa, is it the end of Week 2 already?!  Insane!  However, in the short time between my last post and this one, a lot has happened!  First of all, in the pictures below, you can see that I have received my first reed making equipment kit as well as a book titled Oboe Reed-Making: Simplified.  This post will tell you whether or not I've been successful with these things ;)

The Awesome Reed Kit + Book

From Left to Right:
reed gouges, reed blank, corks, plaques, knife, mandrel, ruler, string, and cutting block 

So, what are all of these materials and what do they do?

Reed Gouges- a piece of cane that has been split, cut, and shaped so that it is ready to be placed onto the cork (most beginning reed makers start at this step)

Reed Blank- a reed that has not been scraped/cut

Corks- a hallow piece of cork with a metal pyramid/tube at the end where the reed gouge will eventually end up

Plaques- support for the reed blank as you begin to scrape and shape it

Knife- used for scraping the reed

Mandrel- holds the reed/extends its length—primarily used as an assisting tool

Ruler- to get exactly measurements

String- used for typing the gouge onto the cork

Cutting Block- for when you need to cut the tip of the reed after scraping it

Additionally, I would like to address a few things that I've seen throughout the comments on my first blog post.

• I didn't include a photo of a reed—sorry!

From Left to Right:

The end is the cane, this part of the reed is hardest to make (and also makes the sound)!

The red part is simply just the string that holds the cane onto the cork

The cork has a metal, pyramid-like cylinder attached to the end of which the cane is wrapped

• Most people don't know how an oboe reed works.  Please get your life together, Liv
  Okay, okay, sorry!  First... let's compare and contrast single reeds and double reeds with a nice visual:

Here, we have a single reed on the left and a double reed on the right.  The double reed is for an oboe, and the single reed is used for instruments such as a clarinet or saxophone.  Additionally, the single reed is accompanied by a mouthpiece—yeah, oboists don't get this privilege.  See, the way a single reed works is that you adjust your embouchure (aka positioning of your mouth) so that the reed vibrates against the mouthpiece just right to produce sound.  The same thing happens with a double/oboe reed, only you have to make both pieces of reed vibrate—this is twice as hard!  You could basically say that a double reed is a tube that you make sound with, and a single reed is more so an assisting element to a mouthpiece.

• How to make an oboe reed
  A few people were wondering this, but I think I'll wait to address this until I have a better understanding on how to analyze the process (aye) of making one.  This leads me into my next update...

I STARTED MAKING A REED, AND THINGS DID NOT GO WELL

Yesterday (2/25/17), we had a workday in class, and I decided to start scraping the reed blank.  Since my materials kit came with only one reed blank and then twelve gouges, I thought it was a good idea to work backwards in terms of the steps.  So, there I am, scraping the blank with a full audience of exactly four people, and it's going pretty well.  Scraping a reed isn't exactly tough to do (especially because you must soak it beforehand), but the cane is very tender.  Anyways, after 3 or 4 scrapes on the one side... well, this happened:

Obviously, I am a grade A, professional reed maker.  From the picture, you can see that I scraped too hard and tore the one side of the blank.  As annoying as it was to already mess up at, like, scrape #5, I continued on and began working on the other side, just to practice the technique.

Here is a gif of me scraping the other side of the blank.  As you can see, it is very easy to press just a little too hard and ruin the whole thing.  Oh well, at least I know now!




Now... for the finished product of my *first attempt at making a reed *drum roll please*...

*note: even though I technically broke
the reed after the first few scrapes,
I wanted to continue to practice scraping

TA-DA!  Now, if you ask me, I'd say this is concert ready.  But seriously, I'm actually very pleased with this product because now I know what to be cautious of and what to avoid in the future!  Even though I didn't construct the blank and only scraped it, I feel pretty successful.  While I may have to reconsider how much time I give myself to actually get a hang of the steps, I'd say that this process is continuing to move ahead!  Plus, as a certain Language Arts teacher mentioned, you could definitely pick your teeth with this.

Also, before I forget, I have sent out four emails to potential interviewees!

1. Richard Woodham, principal oboe player at the Philly Orchestra
2. The Philly Wind Symphony
3. The kind woman who sold me the materials kit
4. The director of the West Chester Concert Band, whom I saw perform during Montco. Band

And guess what?!?!  I have already received responses from both the Philly Orchestra and West Chester, so the interviews are running right on time!

WOO, WEEK TWO DONE, and I'd say it's been overall a huge success!  Other than either having to spend much more time learning or extending the window I give myself to learn, everything seems to be right in place—I can greatly appreciate that.  Additionally, I like to think that this is going to be the last time there's more than a week between my posts.  I am most definitely going to be posting more than before Day 6's, which will not only allow you guys to follow my progress better, but also hopefully shorten the length of these cyclical posts.

Thanks to all that commented on my blog last cycle and for all the feedback!  I think I've greatly begun paving the road (boulevard?) towards my goal, and I even have one broken reed to add to the pile!  Next week, I'll hopefully have at least one interview going and I'd like to push the rate at which I learn this whole reed making thing.

Once again, thanks for reading!

- OMB

P.S. This is an appreciation sentence for Allison M., who wholeheartedly supported me when I told her about my idea for this project.  Thanks Allison, have fun hitting colorful spheres into pockets!

For Blog #1 I commented on: Klugherz, Miles, and Zhang